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A quality peer-reviewed
journal of the Australian
Association of Smoking Cessation Professionals (AASCP) and
supported by smoking cessation research groups in the US and UK, the Journal
of Smoking Cessation was established in late 2006 and has quickly
built a reputation for cutting edge research applications due to its timely
content and accessibility. The journal is available in over 20,000 libraries
worldwide including 90% of US college and university libraries.
"The
only true continuing education journal in smoking."
— Dr John R. Hughes, University of Vermont
Editor
Renee
Bittoun Smoking Cessation
Unit, University of Sydney
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INDEXING
& ABSTRACTING INFORMATION |
• Scopus
• PsycINFO
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Editorial
Board
Matthew
Bars Tobacco Cessation Services,
Fire Department of New York City, USA
Renee
Bittoun Smoking Cessation Unit,
University of Sydney, Australia
Karl Fagerstrom Smoker’s
Information Centre, Helsingborg, Sweden.
Carlos Jiménez-Ruiz Unidad
Especializada en Tabaquismo, Madrid, Spain
Andy McEwen Cancer
Research UK, University College London, UK
Hayden McRobbie Clinical Trials
Research Unit, The University of Auckland, NZ
Gay Sutherland Tobacco Research
Unit, Institute of Psychiatry, King’s College London, UK
Robert West University College
London, UK
Open
Access and Author Self-Arching Policy
Australian
Academic Press adheres to the Open Access (OA) “Green
Standard” for author self-archiving which allows
journal authors who have published in an Australian Academic
Press journal to upload their original accepted-for-publication
manuscript (termed an author post-print*) (NOT the publisher's
PDF version) to an online archive, repository, or website
but must stipulate that public availability be delayed
until 12 months after first online publication in
the journal.
* Definition of an author post-print: A post-print is
the final draft of an author's manuscript that has been
accepted for publication with any referee's ammendments
but before it has undergone typesetting, layout, copyediting,
and proof correction by the Publisher.

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ISSN 1834-2612
2
issues per year
ONLINE ONLY
2009
SUBSCRIPTION RATE AU$
Within
Australia $145.00
Rest
of the World $160.00




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Aims
and Scope
The Journal
of Smoking Cessation is the world's only publication devoted
exclusively to the treatment of smoking cessation. The journal
is targeted specifically to the area of smoking cessation at the “grass-roots” level,
focusing on observational studies that have practical implications
for those assisting smokers to quit.The
journal is a high quality peer-reviewed publication with an international
editorial board that has itself wide experience in the field of
smoking cessation.
The
Editorial Board encourages submissions of case studies, letters to
the editor and short studies. A regular feature of the journal is a
section entitled “What the research says … in one line ” This
feature enables access to a wide variety of publication and reviews
about research and relevant publications from elsewhere for busy clinicians.
The
journal will not publish articles supported by funding from the Tobacco
Industry. All
authors should clearly state their funding sources, state clearly conflicts
of interest and pharmaceutical industry support
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Editorial
Enquiries
The
Editor
Renee Bittoun
Smoking
Cessation Unit
The University of Sydney
Sydney NSW 2006, Australia
bittounr@med.usyd.edu.au
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AUTHOR
GUIDELINES
All articles are
refereed. Papers submitted to the journal must not previously have
been published nor submitted for publication to any other journal.
General
Style Guidelines
- Contributions
should follow the format and style described in the Publication
Manual of the American Psychological Association (5th ed.). Spelling
and punctuation should conform to The Macquarie Dictionary (4th
ed.). For matters of style not covered in these two publications
the Style manual for authors, editors and printers (6th ed.) should
be consulted.
- Uncommon abbreviations
and acronyms should be explained. Do not use underlining except to
indicate italics. Full stops should not be used in abbreviations
or acronyms (e.g., NSW).
- Use single quotation
marks to introduce a word or phrase used as an ironic comment, as
slang, or which has been coined. Use quotation marks the first time
the word or phrase is used; do not use them again. Do not use quotation
marks to introduce a technical or key term. Instead, italicise the
term.
- Do not use any
footnotes. Endnotes should be kept to a minimum and listed at the
end of the text under the centred heading "Endnotes". Acknowledgments
should be placed at the end of the article with a separate heading.
- Tables should
be at the end of the manuscript, not in the main text. Their approximate
positions in the text should be indicated by the words, “Insert
Table X here”. Horizontal and vertical lines should be used
sparingly.
- Photographs, graphs
and figures should be at the end of the manuscript, not in the main
text, and include placement instructions in the Word document, such
as "Insert Fig x here".
- A list of figure
captions should follow the tables in the manuscript.
- References should
follow the format and style described in the Publication Manual of
the American Psychological Association (5th ed.). Examples of citations
are:
The theory
was first propounded in 1970 (Larsen, 1971).
Larsen (1971) was the first to propound the theory.
Examples
of references are:
Fisse,
B. (1989). The proceeds of crime act: The rise of money laundering,
offences and the fall of principle. Criminal Law Journal,
13, 5-23.
Zelinski, E.M., & Gilewski, M.J. (1988). Memory for prose
and aging: A meta-analysis. In M.L. Howe & C.J. Brainerd
(Eds.), Cognitive development in adulthood (pp. 133-158). New
York: Springer-Verlag.
Digital
Submission Guidelines
- Documents should
be saved as a Microsoft Word document (or in RTF format if using
another program) double-spaced with minimum margins of 25 mm on
both sides and in A4 page size.
- The first page
of the document should include the title of the article only.
- The second page
should include the title again, with the full names and affiliations
of all the authors followed by a full postal and e-mail addresses
for the corresponding author. A word count and suggested running
head of no more than 50 characters including spaces should also be
provided on this second page.
- The
third page should contain an abstract only, not exceeding 200 words.
It should provide a brief overview of the aims, method and major
findings and should not refer to the body of the text in the abstract.
- FIGURES, GRAPHS,
ILLUSTRATIONS, PHOTOGRAPHS, SPECIAL CHARACTERS
To ensure optimum quality, please follow the guidelines
below when submitting artwork.
Figures,
graphs, illustrations and photogrpahs should be prepared
to the correct size and each one supplied as an individual
file, separate to the manuscript Word file. Include
placement instructions in the Word document, such as "[Insert
fig 1 here]".
Figures created in Microsoft Word, Excel or Powerpoint
need to be saved as PDFs.
Figures created in a drawing program such as Adobe
llustrator, CorelDRAW, Freehand, Microsoft Publisher
or similar should be saved as EPS (encapsulated postscript)
files.
Figures created in Photoshop or with other photographic
software should be saved with a minimum resolution
of 600 dpi and in TIF format. Minimum resolution
for scanned graphics is 300dpi for halftone work
(e.g., photographs) and 600 dpi for line art, and
these should also be in TIF format. All figures and
graphs should should be in black and white line art
(artwork that has only text and lines, no shades
of grey or blocks of colour).
All photographs should be supplied as separate files
in JPEG or TIFF formats for a minimum 300 dpi resolution.
(As a rough guide, the file size of each photograph
should be above 200KB).
Manuscripts which contain special characters (equations,
Chinese characters, etc.) need to be supplied as
a high resolution PDF file (print or press format)
with all fonts embedded as well as the Word or RTF
document.
Prior to sending artwork, the separate files of figures,
graphs, illustrations, and so on, should be printed
by the author to test that the fonts have been embedded
correctly and there is no distortion in the artwork
(e.g., lines and fonts reproduce cleanly with no
jagged lines or fuzzy edges), as any such faults
cannot be corrected by the publisher.
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